Writing

“The Feminist Logic of ‘Retrocollectivity’: a Conversation with Mónica Mayer and Karen Cordeiro Reiman.” #ERRATA, Dec 2018.

“Tales We Tell: Imagining Feminist Pasts, Writing Feminist Futures.” Nierika: Revista de estudios de arte – Feminismo y políticas de memoria e imaginación 10.5 (2016): 60–76.

“Dis/Appearance: Self-Portraiture in the Work of Mónica Mayer.” In Si tiene dudas… pregunte: a Retrocollective Exhibition of the Work of Mónica Mayer, edited by Karen Cordero Reiman, 130–138. Mexico City: UNAM, 2016.

“Drawing Time: Mónica Mayer’s Two-Dimensional Performance.” In Si tiene dudas… pregunte: a Retrocollective Exhibition of the Work of Mónica Mayer, edited by Karen Cordero Reiman, 138–145. Mexico City: UNAM, 2016.

“Feminism Unfolding: Negotiating In/Visibility of MexicanFeminist Aesthetic Practices within Contemporary Exhibitions,” Artelogie – Art and Gender: Women Creators in Latin America, n° 4, Janvier 2013.

Book review, Making Art Global (Part 1): The Third Havana Bienale 1989 by Rachel Weiss (London: Afterall Books, 2011)The Journal of Curatorial Studies, Vol 3.1 (2014): 162–164.

“The Third Face of the Coin: Navigating Mis/Non/Re/Presentation of Women Artists in 1970s Mexico.” The Student Journal of Latin American Studies, University of Texas at Austin, 3.1 (2012): 29–64.

“Arraigado: The Art of Ana Mendieta.” Elements: Undergraduate Research Journal, Boston College, 1.1 (2005): 17–23.

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